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                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;Entries in this section of the Copyright Cortex include tools and resources that may help you develop your understanding of copyright law and its application to cultural content. From public domain calculators to panel presentations on open culture, this section catalogues useful handbooks, videos, podcasts, and other commentaries exploring a variety of areas and offering practical guidance. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;If you have any recommendations for material that should feature in this section of the Copyright Cortex please do let us know. You can contact us at: &lt;/span&gt;&lt;a href="mailto:info@copyrightcortex.org"&gt;&lt;span class="s2"&gt;info@copyrightcortex.org&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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              <text>The ethics of archive acquisitions: why couldn’t an important collection of British trans history stay in the UK?</text>
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              <text>Catherine Baker</text>
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              <text>This post reports that an archive collection relating to the history of transgender people in the UK was rejected by the Hall-Carpenter Archive at the London School of Economics on the grounds that there was no inventory of the collection, the materials would have to be anonymised, and that third-party copyright materials would need to be removed. The collection was later accepted by the University of Victoria, Canada. </text>
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              <text>This blog post presents an unusual example of a collection being turned down by an archive service on the basis of copyright issues (amongst others). As a result, the collection is now based in Canada, and the transgender community in the UK do not have local access to the materials. </text>
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