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                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;Entries in this section of the Copyright Cortex include both peer-reviewed and non-peer-reviewed research, exploring the law of copyright and its effects on policy and practice in a variety of cultural heritage contexts. From managing the risks associated with making orphan works available online to claiming copyright in digital surrogates of public domain works, this section catalogues data, evidence, and commentary across a wide range of topics. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;If you have any recommendations for material that should feature in this section of the Copyright Cortex please do let us know. You can contact us at: &lt;/span&gt;&lt;a href="mailto:info@copyrightcortex.org"&gt;&lt;span class="s2"&gt;info@copyrightcortex.org&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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              <text>In February 2017, The Metropolitan Museum of Art (The Met) made over 375,000 images of public domain artworks in its collections available for use and remix with Creative Commons Zero. Identifying data for the museum’s entire publicly available digitized collection was also made available on GitHub development platform. In this interview, Europeana's Camille Tenneson asked Neal Stimler, Program Manager for Content Partnerships, about what was driving these projects.</text>
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