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                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;Entries in this section of the Copyright Cortex include both peer-reviewed and non-peer-reviewed research, exploring the law of copyright and its effects on policy and practice in a variety of cultural heritage contexts. From managing the risks associated with making orphan works available online to claiming copyright in digital surrogates of public domain works, this section catalogues data, evidence, and commentary across a wide range of topics. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;If you have any recommendations for material that should feature in this section of the Copyright Cortex please do let us know. You can contact us at: &lt;/span&gt;&lt;a href="mailto:info@copyrightcortex.org"&gt;&lt;span class="s2"&gt;info@copyrightcortex.org&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <text>https://pro.europeana.eu/post/open-access-arrives-at-the-cleveland-museum-of-art</text>
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              <text>Open access arrives at the Cleveland Museum of Art</text>
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              <text>The Cleveland Museum of Art (CMA) is one of the United States’ largest art museums, with renowned artworks in its encyclopaedic collection. It has made images of its public-domain works available to use without restriction, bringing its mission to be 'for the benefit of all the people forever' firmly into the digital age. Jane Alexander, Chief Digital Information Officer at the CMA, gave Douglas McCarthy the inside story behind the announcement.&#13;
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              <text>CC BY 4.0</text>
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      <description>Extra CC fields for copyright information</description>
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          <description>Date of creation or availability of the resource that is shown to users. To be formatted as follows: 2017 January 7</description>
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              <text>institutional missions</text>
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