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                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;Entries in this section of the Copyright Cortex include both peer-reviewed and non-peer-reviewed research, exploring the law of copyright and its effects on policy and practice in a variety of cultural heritage contexts. From managing the risks associated with making orphan works available online to claiming copyright in digital surrogates of public domain works, this section catalogues data, evidence, and commentary across a wide range of topics. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;If you have any recommendations for material that should feature in this section of the Copyright Cortex please do let us know. You can contact us at: &lt;/span&gt;&lt;a href="mailto:info@copyrightcortex.org"&gt;&lt;span class="s2"&gt;info@copyrightcortex.org&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <text>https://journals.sub.uni-hamburg.de/hjk/article/view/1191</text>
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            <text>Hamburger Journal für Kulturanthropologie</text>
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            <text>Staats- und Universitätsbibliothek Hamburg&#13;
Carl von Ossietzky</text>
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              <text>MKG Collection Online: The potential of open museum collections </text>
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              <text>Looking at the example of the Museum für Kunst und Gewerbe Hamburg (MKG), this article outlines the potential of open access for digitised museum collections. It also examines the challenges of the open access policy and the wider implications of openness for the museum, other cultural heritage institutions and society.</text>
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              <text>Antje Schmidt</text>
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              <text>2018</text>
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              <text>In October 2015 the Museum für Kunst und Gewerbe Hamburg (MKG) launched the “MKG Collection Online”. The MKG is the first art museum in the German-speaking countries to open up its collections by establishing an open access policy. It offers digital images of objects that are already in the public domain and data of all of the published objects for unrestricted reuse in order to inspire creative processes, foster knowledge production and innovation and safeguard cultural heritage. Many museums are, however, struggling with this concept, even though it is recommended as best practice by the European Commission. Looking at the example of the MKG, the potential of open access for digitized museum collections will be outlined. Furthermore, the challenges of this open access policy and the wider implications of openness for the museum, other cultural heritage institutions and society will be discussed.</text>
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              <text>Hamburger Journal für Kulturanthropologie</text>
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              <text>CC BY 4.0</text>
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      <name>Copyright Cortex Fields</name>
      <description>Extra CC fields for copyright information</description>
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          <name>Visual Date</name>
          <description>Date of creation or availability of the resource that is shown to users. To be formatted as follows: 2017 January 7</description>
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          <name>Jurisdiction</name>
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              <text>Germany</text>
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              <text>In Copyright</text>
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              <text>open GLAM</text>
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              <text>reuse and remix</text>
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