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                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;Entries in this section of the Copyright Cortex include both peer-reviewed and non-peer-reviewed research, exploring the law of copyright and its effects on policy and practice in a variety of cultural heritage contexts. From managing the risks associated with making orphan works available online to claiming copyright in digital surrogates of public domain works, this section catalogues data, evidence, and commentary across a wide range of topics. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;If you have any recommendations for material that should feature in this section of the Copyright Cortex please do let us know. You can contact us at: &lt;/span&gt;&lt;a href="mailto:info@copyrightcortex.org"&gt;&lt;span class="s2"&gt;info@copyrightcortex.org&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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              <text>Democratising the Rijksmuseum</text>
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              <text>Why did the Rijksmuseum make available their highest quality material without restrictions, and what are the results?</text>
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              <text>This case study examines the Rijksmuseum's decision and steps taken to release its digital surrogates of public domain works online at the highest resolution without any copyright restrictions. </text>
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              <text>Joris Pekel</text>
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              <text>In 2011, the Rijksmuseum in the Netherlands started releasing images of public domain works online. In 2013, these were all made available in the highest resolution possible, without any copyright restrictions. In this paper, the different steps taken during this process are described, along with the consequent results.</text>
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              <text>Europeana Foundation</text>
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              <text>2.3 MB</text>
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              <text>In Copyright</text>
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