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                <text>Research</text>
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                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;Entries in this section of the Copyright Cortex include both peer-reviewed and non-peer-reviewed research, exploring the law of copyright and its effects on policy and practice in a variety of cultural heritage contexts. From managing the risks associated with making orphan works available online to claiming copyright in digital surrogates of public domain works, this section catalogues data, evidence, and commentary across a wide range of topics. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;If you have any recommendations for material that should feature in this section of the Copyright Cortex please do let us know. You can contact us at: &lt;/span&gt;&lt;a href="mailto:info@copyrightcortex.org"&gt;&lt;span class="s2"&gt;info@copyrightcortex.org&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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            <text>http://www.texaslrev.com/wp-content/uploads/2015/08/ChanderSunder.pdf</text>
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            <text>1397-1412 pp.</text>
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              <text>Copyright's Cultural Turn</text>
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              <text>This is a book review of Configuring the Networked Self: Law, Code, and the Play of Everyday Practice by Julie E. Cohen. In it, the authors consider the hegemony of economic theory within intellectual property law scholarship, and explore the arguments for and against importing methodologies from other subject areas like cultural, media, and literary studies, and the social sciences in general. </text>
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              <text>Anupam Chander</text>
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              <text>Madhavi Sunder</text>
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              <text>2013-5-1</text>
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              <text>Julie Cohen’s new book, Configuring the Networked Self: Law, Code, and the Play of Everyday Practice, marks a major effort to craft a jurisprudence of information law that goes beyond law and economics. Cohen, a celebrated scholar of intellectual property and privacy, brings her formidable talents to the fore in this book to ask scholars in both fields to pay more attention to culture. Cohen argues that the dominant approach to copyright and privacy fails to understand the role of information in people’s actual lives. We have become too enamored with abstract claims of human behavior that turn out to be incomplete upon closer examination, she tells us. Mining a broad vein of contemporary theory ranging from science and technology studies to cultural studies, Cohen seeks to inform policy on intellectual property and privacy with an understanding of what she calls the networked self, the individual embedded in a complex structure of social and technological circumstances.</text>
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              <text>University of Texas School of Law</text>
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              <text>CleanUrl: copyrights-cultural-turn</text>
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              <text>All Rights Reserved</text>
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              <text>2013 May </text>
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              <text>In Copyright</text>
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              <text>copyright reform</text>
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