Tagged With: open collections
17 Results
Research
Insight from a global survey of open GLAM
Presentation at National Digital Forum, New Zealand, by Sarah Powell on behalf of Douglas McCarthy.
Fresh from co-leading a global survey of open access in the GLAM sector, this talk shares Douglas's insights into the key trends and challenges for museums trying to engage and empower audiences through open access to digital collections.
Slides: https://docs.google.com/presentation/d/19dKUCw3fmHkNYBB3I-6ttIh7l2sNgfgxP9GmyxLhgyA/edit#slide=id.g43e7e0d630_0_353
Fresh from co-leading a global survey of open access in the GLAM sector, this talk shares Douglas's insights into the key trends and challenges for museums trying to engage and empower audiences through open access to digital collections.
Slides: https://docs.google.com/presentation/d/19dKUCw3fmHkNYBB3I-6ttIh7l2sNgfgxP9GmyxLhgyA/edit#slide=id.g43e7e0d630_0_353
Research
Giz it: A journey in reuse
Presentation by Mike Dickison on behalf of Siobhan Leachman, GLAM volunteer and enthusiast, at National Digital Forum, New Zealand. It documents the trials and tribulations of reusing digital public domain content provided by New Zealand GLAMs from the perspective of a member of the public.
Slides: http://bit.ly/GizItNDF
Slides: http://bit.ly/GizItNDF
Tools & Resources
Copyright & Open Access for GLAMs in the age of COVID-19: a conversation
An edited version of a webinar conversation with Andrea Wallace, Sarah Pearson and Ariadna Matas, organised in a set of questions, on copyright and open access for GLAMs in the age of COVID-19
Research
The Great Wave: what Hokusai’s masterpiece tells us about museums, copyright and online collections today
Research
Museums in the Digital Age: insights from the Slovak National Gallery
In this interview, Michal Čudrnák describes how openly licensed collections and creative reuse help the Slovak National Gallery reach new audiences.
Research
Open access arrives at the Lenbachhaus
Munich’s Städtische Galerie im Lenbachhaus's Collections Online offers high-resolution image downloads with CC BY-SA licences for its out-of-copyright works. In this interview, Jacqueline Falk, responsible for Digital Communication at the Lenbachhaus, shared the inside story with Douglas McCarthy.
Research
Museums in the Digital Age: Opening up at Birmingham Museums Trust
After Birmingham Museums Trust took the decision to make images of its out-of-copyright collections freely available under a Creative Commons CC0 waiver, Linda Spurdle, Digital Development Manager, told Douglas McCarthy why the Trust had adopted open access policies and what it hoped to achieve.
Research
Why the Metropolitan Museum of Art is embracing open access
In February 2017, The Metropolitan Museum of Art (The Met) made over 375,000 images of public domain artworks in its collections available for use and remix with Creative Commons Zero. Identifying data for the museum’s entire publicly available digitized collection was also made available on GitHub development platform. In this interview, Europeana's Camille Tenneson asked Neal Stimler, Program Manager for Content Partnerships, about what was driving these projects.
Research
Museums in the Digital Age: insights from the Mauritshuis
In 2017 the Mauritshuis published its collections in Europeana Collections in high-resolution and in the public domain, joining leading institutions in the OpenGLAM movement to promote open access to cultural heritage. In this interiew, Mauritshis curator Lea van der Vinde tells Douglas McCarthy how open access helps the Mauritshuis fulfil its mission.
Research
21st-Century Diffusion with Smithsonian Open Access
In this article, Effie Kapsalis, Senior Digital Program Officer at the Smithsonian, shares insights into the strategy and implementation of Smithsonian Open Access.